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‘Mmmm, it was electrifying !’ Natalia Osipova on see her perfect collaborator

As the explosively powerful dancer sees the bounce into cinema, she talks about feeling bloodied and bruised by her latest handiwork and how adoration her puppies assists her perform

Natalia Osipova was stands in a queue at Moscow airport recently, waiting for her flight back to London, when she overheard a woman mention her identify. “She was talking about the show,” says Osipova, who had just finished performing The Mother, a contemporary dance drama.” The wife said,’ She could have danced another classical ballet. Why is she spending her meter on this ?'” Osipova sighs.” I felt quite susceptible. Why am I not understood ?”

Some of her followers might not be ready to accompany the Russian ballerina on her journey into experimental dance, but Osipova is an artist who cartels her inclinations: from her 2001 decision to walk out of one of the world’s most prestigious ballet fellowships, the Bolshoi, in favour of a second-tier institution, the Mikhailovsky Theatre, to launching a latitude job in contemporary dance while continuing to one of the top classical ballerinas.

Now a principal with the Royal Ballet, and boasting a nonstop freelance schedule on the side, Osipova is a powerful dancer of explosive jumps and stunning strength. Her passion and self-belief give the title to Force of Nature Natalia, a brand-new film by director Gerry Fox that follows Osipova as she rehearses for three establishes: La Bayadere at the Royal Ballet; The Mother, Arthur Pita’s dark retelling of the Hans Christian Andersen story; and a brand-new duo created with dancer and Osipova’s fiance Jason Kittelberger, more of whom later.

Osipova with Vadim Muntagirov in La Bayadere. Photograph: Tristram Kenton/ The Guardian

We meet at her flat in Little Venice, London- smart-alecky modern decor and the feel of someone who’s not home much- where we are joined by an translator and two over-excited pups. Osipova, 33, is very straightforward , not starry or effusive- unlike when she gets on stage, when she’ll propel herself towards stunning extremes. The Mother, a two-hander based on the bleak tale of a woman urgently trying to save her dying baby, often leaves Osipova blooded and bruised from its physical floorwork and emotionally measured trying to reach the heart of the character.

” I’m not a father myself yet ,” she says,” so I was anxious that it wouldn’t be a realistic characterization because I don’t know what it’s like .” It’s similar to how you feel about your dogs, I tell her, but eras a hundred.” It’s funny you form that likenes ,” she chortles,” because when we got them, they were just puppies, two months old. And in a manner which is, my feeling about them fed into the part .”

We talk about how rare it is in dance to depict something other than romantic love.” Traditionally in ballet ,” she says,” you are expressing adored for a man and there are very few exceptions. In my career, I can only think of Kenneth MacMillan’s Anastasia .”( Premiered in 1967, Anastasia is about a woman who claimed to be the daughter of tsar Nicholas II .)” In contemporary ,” Osipova lends,” it’s different. Sometimes we speak just about physiology, sexuality …” She pauses and giggles.” But the men are always there somewhere !”

Bleak narration … Osipova in The Mother at Gorky Moscow Art theatre. Photograph: Mikhail Metzel/ Tass

Of course, two people, two mass connecting, is something dance can express well. But Osipova is as interested in convey the realities of relationships as well as the fairytale ideals. Last year, in her self-curated curriculum Pure Dance, she and Kittelberger performed Roy Assaf’s Six Years Later, a likenes of a tired and tetchy relationship, in which, the noted New York Times critic Siobhan Burke, Kittelberger emerged as an equal to the charismatic Osipova on stage.

Dancing with Kittelberger was a revelation for Osipova.” It was so, so very different to dancing with a classical dancer ,” she says.” It was like a real person, really touching me, and it was like,’ Mmmm !'” Her luminou eyes widened with mischief at the recognition.” It was electrifying. He really showed me a different way of suffering dance .”

Gerry Fox, who filmed the couple dancing in the studio, talks about their” erotic tension, two parties holding their all through their bodies and being so free with each other “. Osipova has danced with many remarkable collaborators, including former lovers Ivan Vasiliev and Sergei Polunin, but this was different.” So different ,” she says. The movie pictures them is currently working on a new formation, I’m Fine, about the ups and downs of a relationship.” The claim comes from me personally, when I’m ruffled or enraged- saying’ I’m fine !’ when it’s clear I’m not .” Kittelberger formed the steps (” That’s not my strong point “) and Osipova was dramaturg.” I’m more sensitive to the story ,” she says.” I’m strong on reading. That’s the offering I have .”

Kittelberger adds Osipova with essential support off stagecoach as well as on.” If I’m in an intensive projection, I become more needy ,” she says.” I need more consolation, and if I don’t get it I become resentful. I need much attention, especially from souls- perhaps because my father had such a comforting, astonishing vigor. Jason genuinely gets it and gives me everything I need.

‘ It was like a real person, genuinely touching me’ … Natalia Osipova and Jason Kittelberger in Six Years Later. Photograph: Tristram Kenton/ The Guardian

” He does appreciate a little of the child in me, in a good way. I’m very aware of my own dominance. Physically and emotionally, I’m a really strong person, in art and in life. But there are times when you want to totally impart it away and be helpless, and he’s somebody who can allow me to do that .”

As well as exploring her escapades in contemporary dance, Fox’s documentary discusses one of Osipova’s most feted classical capacities: Giselle, the beautiful young boor daughter who drops-off for a deceitful nobleman. “Giselle,” Osipova tells the camera at one point, “it’s me.” What did she represent?” It’s the most natural role for me ,” she says.” The second deed is so close to me, as if I have it somewhere in my DNA .”

Osipova is not the ghostly intent of a wronged lady, as Giselle becomes in act two, but her entire physicality reforms as she personifies the role- a more colors, chilling and unhuman Giselle than any I’ve seen.” When I started dancing it, I was 19 or 20, and I was doing it in a very non-traditional way. My educators would be telling me off, but I had such an inner certainty that it was not feasible to knock it out of me .” Where does that confidence come from?” From my late connection to the part- and my quiet certainty that this is how it should be .”

When Osipova began her busines at the Bolshoi, the director was Alexei Ratmansky,” who leaved quite a lot of freedom “. But when he was succeeded by Sergei Filin, Osipova met herself unhappy in Moscow, her opportunities restricted. She’s material now at the Royal Ballet, a company with a healthier culture than most she has knowledge.” The first time I came I was astounded there was no intrigue or friction, and beings were nice to each other ,” she says.” It’s my fifth season now and I’ve had not a single friction. Sometimes people say I just don’t get enough of its own language to know !” She titters.” But in other fellowships, you can sense it, when we are envious, or don’t want you to be there, or they’re talking behind your back. I can’t work like that .”

Does something about the specific features of ballet corporations foment a dysfunctional ambiance? Filin was the victim of an acid attempt orchestrated by a disgruntled dancer, and New York City Ballet has been rocked by accusations of harassment and misuse.” It all depends on who is leading, and what they encourage and what the fuck is cut off ,” says Osipova.” I can think of two situations when[ Royal Ballet director] Kevin O’Hare said,’ This is not happening ‘, otherwise something unpleasant might have started .”

Watch the trailer for Force of Nature Natalia on Vimeo

The pressure, the self-love, the ferocity of a dancer’s life have certainly been blamed for more than one aesthetic outburst. Osipova’s ex, Polunin, is a case in point, with his recentmacho and fat-shaming tirades online. The contentious dancer had this to say about male dancers:” Girls now trying to take on the man role because you don’t f— them and because you are an embarrassment .” He also wrote:” Let’s slap fatty parties .”

Osipova has gone on record saying Polunin is a good guy who should be judged only on his dancing. Why does she think he is so frequently self-destructive?” No one but him can answer your question ,” she says.” He’s clearly endowed, and I certainly wish that he nurtures it rather than subverts it .”

Osipova seems able to harness all the drama and drive for her dancing and thinks she has another five years of performing at her meridian.” At the moment, I feel very mature and capable, emotionally and physically ,” she says.” Contemporary dance is moving my mas feel and leave differently. It’s a really good time for me now .”

* The Mother is at Queen Elizabeth Hall, London, 20 -2 2 June. Force of Nature Natalia is out now and will be broadcast on Sky Arts on 18 June.

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Meet The Dogs Who Hang Out At The Ballet To Reduce Stress

Stumble upon the hashtag #dogsofabt and you’ll be introduced to one of “the worlds largest” adorable rehearsals of the American Ballet Theater.

The New York-based fellowship gives dancers to produce their puppies to undertaking, both at home in NYC and when they are on the road touring. A scroll through Instagram will give you just a penchant of what the institution actually consider this to be. There are not just one or two or three puppies infesting the studios of the nearly 80 -year-old company. There are many.

There’s Hudson, a 9-month-old English sheepdog; Cora and Maya, 4-year-old shih tzus; Sofie, a 2-year-old yorkiepoo; Ranger, a 4-year-old terrier desegregate; Jimi and Lua, 12 -year-old dachshunds; and the oft-featured Pickles, a 6-year-old Shiffon( Shih Tzu/ Brussels Griffon desegregate ). The inventory goes on.

You can see a group shot of the lucky puppies, thanks to a see from the beloved pet photographer, the Dogist, one of several photographers who’ve ventured to ABT to captivate the canine habit. In summary, the studios are crowding with puppies and you probably had no idea.

What caused the pro-dog plan at ABT? A need to alleviate stress, of course.

“Because it’s a very stressful work environment, there’s so much competition — it’s friendly tournament — it’s exceedingly exhausting, emotionally and physically, ” artistic executive Tina Escoda explained to The Wall Street Journal. “The dogs provided with a great succour .~ ATAGEND”

According to a 2009 survey in Veterinary Clinics of Northern america, “pet ownership, or only being in the fact that there is a attendant swine, is associated with health benefits, including improvements in mental, social, and physiologic health status.” Both college campuses and professional work lieu have experimented with domesticated regiman as an anxiety reducer.

And it turns out there’s a record of producing puppies into the ballet studio to improve cut through the tension. Escoda, who danced with the company in the 1980 s when Mikhail Baryshnikov was director, remembers touring with golden retrievers and Dalmatians.

If this doesn’t represent you desire the ballet even more, you’re clearly a monster.

Trying to stay awake through Swan Lake rehearsal. #dogsofabt

A photo posted by Lauren Post (@ laurenclaire8 8) on Jan 24, 2013 at 4:44 pm PST

Natash … #ballerina #dogsofnyc #pointeshoes studios #dogsofabt

A photo posted by Luciana Voltolini (@ lucianavoltolini) on Oct 9, 2014 at 11:47 am PDT

Got to hang with ABT’s newest addition today! Meet Craig Salstein’s little puppy, Laughter. #dogsofabt

A photo posted by Lauren Post (@ laurenclaire8 8) on Nov 7, 2013 at 6:50 pm PST

Pickles reallllly craved some of my apple. #dogsofabt @laurenclaire88

A photo posted by Alexandra Basmagy Diaz (@ alexbasmagy_diaz) on Dec 17, 2013 at 3:10 pm PST

@tballerina7 and Riley before “diamond” rehearsal with Alexei Ratmansky today #dogsofabt @abtofficial

A photo posted by Isabella Boylston (@ isabellaboylston) on Jan 22, 2015 at 4:06 pm PST

Read more: www.huffingtonpost.com